De visione Dei

Nicholas of Cusa

De visione Dei

Nicholas of Cusa (1401–1464)

De visione Dei sive de icona

De visione Dei, or De icona (On the Vision of God, 1453), addressed to the Benedictines of Tegernsee: seeing God through the icon that gazes on all. Latin transcribed from the 1514 Paris Opera; English translation new.


Letter to the Abbot and Brethren of Tegernsee

Preface

Capitulum I: That the perfection of appearance holds true of the most perfect God

The perfection of the appearance to be verified of the most perfect God. In the first place I judge it must be supposed that nothing can appear concerning the gaze of the icon of God but is more truly in the true gaze of God. For God, who is the very height of all perfection and greater than can be thought, is called theos for this reason, because he beholds all things. Wherefore, if a painted gaze can appear in an image beholding all and each at once, since this belongs to the perfection of gaze, what appears of the icon or appearance cannot less truly befit the truth. For if among us one gaze is keener than another, and one scarcely discerns near things while another discerns distant things, and one reaches its object slowly, another swiftly, there is no hesitation that the absolute gaze, from which is every gaze of those who see, excels in act every keenness, every swiftness, and every power of all who actually see and who can come to see. For if I look to the abstract gaze which in mind I have absolved from all eyes and organs, and consider how that abstract gaze in its contracted being, according as those who see see through that gaze, is toward time and the quarters of the world, toward singular objects and other such conditions of contraction, and that the abstract gaze is likewise abstracted and absolved from these conditions, I grasp full well that it is not of the essence of gaze to regard one object more than another, although it accompanies gaze in contracted being that, while it regards one thing, it cannot regard another, or all things absolutely. But God, as he is the true uncontracted gaze, is not less than what can be conceived of the abstract gaze by intellect, but improportionably more perfect. Wherefore the appearance of the gaze of the icon can less attain to the height of the excellence of the absolute gaze than the concept. That therefore which appears in that image is excellently in the absolute gaze is not to be doubted.

Capitulum II: That absolute sight embraces all modes

Capitulum III: That the things said of God do not really differ

Capitulum IV: God's vision bespeaks providence, grace, and eternal life

Capitulum V: O how great the multitude of your sweetness

Capitulum VI: On facial vision

Capitulum VII: What fruit facial vision bears

Capitulum VIII: How seeing God is loving

Capitulum IX: How God is universal and particular together

Capitulum X: How God is seen beyond the coincidence of contradictories

Capitulum XI: How succession is seen in God without succession

Capitulum XII: Where the invisible is seen, the uncreated is created

Capitulum XIII: God is seen as absolute infinity

Capitulum XIV: How God enfolds all things without otherness

Capitulum XV: How actual infinity is unity

Capitulum XVI: Unless God were infinite He would not be the end of desire

Capitulum XVII: God can be perfectly seen only as triune

Capitulum XVIII: Unless God were triune there would be no happiness

Capitulum XIX: How Jesus is the union of God and man

Capitulum XX: How Jesus is understood as the bond

Capitulum XXI: Without Jesus happiness is not possible

Capitulum XXII: How Jesus saw and worked

Capitulum XXIII: How Jesus died, the union with life remaining

Capitulum XXIV: How Jesus is the word of life

Capitulum XXV: How Jesus is the consummation

↑ Top of work