De planctu naturae

Alan of Lille

De planctu naturae

Alan of Lille (1120–1202)

Alan of Lille's De planctu naturae ("The Complaint of Nature") is a twelfth-century Latin prosimetrum in which personified Nature laments human disorder and the misuse of sexuality and language. Probably composed around the 1160s–1170s, it joins Boethian consolation, Chartrian cosmology, Christian moral critique, and elaborate rhetoric. Its allegory helped shape later medieval representations of Natura, especially Jean de Meun's continuation of the Roman de la Rose and the tradition that reaches Chaucer. Schola presents the Latin text with an English translation.


Chapter I: In lacrymas risus

Chapter II: Cum hanc elegiam

Chapter III: Illic forma rosae

There, the shape of a rose, faithfully painted, straying only a little from its true face, matched, in its own crimson, the true purple, and had tinged the earth with its own blood. Joined with its companion flowers, there was present the fragrant, pleasing flower of Adonis, and the noble lily, with its own silver, proclaimed the fields and the low places of the valleys. There the thyme, arguing with its scent to stand apart, strove, envying the rest of the flowers, and, in fellowship with the flower of Narcissus, the streams laughed, playfully, with a quiet murmur. The columbine flower, with its flower-bearing face, outshone the morning star of all the flowers, and, speaking of the leisure of the spring season, the little bloom of the violet starred the wild strawberry plant, a face of the picture, full of favors. Here the likeness of the flowers had been bidden to live, which was a kind of royal charter, in a sense, yet one unknown to any writing thumb. These are the riches of spring, and its own mantles, the beauty of the earth, and its own stars, which the picture brought forth by its own arts, fashioning flowers with a sophist's skill. With these tunics of flowers, blooming green, the lavish grace of spring ennobles the meadows. These give it fine linen, those give it purple; which the wise right hand of the west wind wove.

Chapter IV: Haec vestium ornamenta

Chapter V: Floriger horrentem Zephyrus

Chapter VI: Hac igitur amoenantis

Chapter VII: O Dei proles

Chapter VIII: Praefata igitur virgo

Chapter IX: Pax odio, fraudique

Chapter X: Heu, quam praecipiti

Chapter XI: Jam ex hoc

Chapter XII: Ad haec ergo

Chapter XIII: Postquam sacra fames

Chapter XIV: Ecce habes quomodo

Chapter XV: Ne te gulosae

Chapter XVI: Cum in hanc

Chapter XVII: Jam tuba terribili

Chapter XVIII: Igitur Hymenaeo mysticae

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