Republic
Plato (428–347 BC)
Plato's Republic in the Greek text edited by John Burnet, with Paul Shorey's English translation.
Book 1
Section 327
Section 328
Section 329
Section 330
Section 331
Section 332
Section 333
Section 334
Section 335
Section 336
Section 337
Section 338
Section 339
Section 340
Section 341
Section 342
Section 343
Section 344
Section 345
Section 346
Section 347
Section 348
Section 349
Section 350
Section 351
Section 352
Section 353
Section 354
Book 2
Section 357
Section 358
Section 359
Section 360
Section 361
Section 362
Section 363
Section 364
Section 365
Section 366
Section 367
Section 368
Section 369
Section 370
Section 371
Section 372
Section 373
Section 374
Section 375
Section 376
Section 377
Section 378
Section 379
Section 380
Section 381
Section 382
Section 383
Book 3
Section 386
Section 387
Section 388
Section 389
Section 390
Section 391
Section 392
Section 393
Section 394
Section 395
Section 396
Section 397
Section 398
Section 399
Section 400
Section 401
And there is surely much of these qualities in painting and in all similar craftsmanship—weaving is full of them and embroidery and architecture and likewise the manufacture of household furnishings and thereto the natural bodies of animals and plants as well. For in all these there is grace or gracelessness. And gracelessness and evil rhythm and disharmony are akin to evil speaking and the evil temper but the opposites are the symbols and the kin of the opposites, the sober and good disposition. Entirely so, he said. Is it, then, only the poets that we must supervise and compel to embody in their poems the semblance of the good character or else not write poetry among us, or must we keep watch over the other craftsmen, and forbid them to represent the evil disposition, the licentious, the illiberal, the graceless, either in the likeness of living creatures or in buildings or in any other product of their art, on penalty, if unable to obey, of being forbidden to practise their art among us, that our guardians may not be bred among symbols of evil, as it were in a pasturage of poisonous herbs, lest grazing freely and cropping from many such day by day they little by little and all unawares accumulate and build up a huge mass of evil in their own souls. But we must look for those craftsmen who by the happy gift of nature are capable of following the trail of true beauty and grace, that our young men, dwelling as it were in a salubrious region, may receive benefit from all things about them, whence the influence that emanates from works of beauty may waft itself to eye or ear like a breeze that brings from wholesome places health, and so from earliest childhood insensibly guide them to likeness, to friendship, to harmony with beautiful reason. Yes, he said, that would be far the best education for them. And is it not for this reason, Glaucon, said I, that education in music is most sovereign, because more than anything else rhythm and harmony find their way to the inmost soul and take strongest hold upon it, bringing with them and imparting grace, if one is rightly trained, and otherwise the contrary?